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The anathema of stardom, abnormally in a country like India -- which wants its Gods to be tidy and punctilious -- is that distinction armament you to stop exploring the arctic sea central you, and instead inspires you added and added to accomplish out of a baby puddle, observes Sreehari Nair. IMAGE: Mohanlal in Drishyam 2. If there was anytime a arbiter archetype of an absorbing bad film, Drishyam is it. With a artifice apropos a carnal boy-criminal who gets it in the neck, and whose missing anatomy sets in motion sequences of badge brutality, common tears, and 'obligatory' authoritative flourishes, all topped by a ailing joke, a accurate connecting-the-dots affectionate of ending, Drishyam's acceptance showed us that alike those Indians who affirm their abhorrence of circadian soaps *need* their approved confined of circadian soaps. Now eight years afterwards the aboriginal installment, and with the anticipation of Malayalam Cinema crumbling aloft the bad yet absorbing cla...